
Hunters in the Snow - Pieter Brueghel
The Hunter in the Snow - William Carlos Williams
The over-all picture is winter
icy mountains
in the background the return
from the hunt it is toward evening
from the left
sturdy hunters lead in
their pack the inn-sign
hanging from a
broken hinge is a stag a crucifix
between his antlers the cold
inn yard is
deserted but for a huge bonfire
that flares wind-driven tended by
women who cluster
about it to the right beyond
the hill is a pattern of skaters
Brueghel the painter
concerned with it all has chosen
a winter-struck bush for his
foreground to
complete the picture
RESPONSE:
When I first began reading this poem, I didn’t realize it
was describing Brueghel’s painting. I
thought “The Hunter in the Snow” stood quite well on its own and was intrigued
by the lack of punctuation. It took a
couple read-throughs to fully understand the picture being painted. The poem’s strange flow reminded me of
someone trudging through harsh conditions and getting stuck in knee-deep
snow.
The narrator, speaking in uncomfortable, choppy phrases, has
presented an image of what he sees in the winter scene. The fact that the lines do flow and break in
unusual places makes it seem like the narrator’s vision is distorted, perhaps
affected by blizzards or cold haze.
When Williams mentioned Brueghel’s name, I realized “The
Hunter in the Snow” was written about the piece of artwork. Honestly, the poem didn’t seem as interesting
anymore. It simply describes exactly
what Brueghel has drawn, even the location of his subject matter: “icy
mountains in the background” and “from the left sturdy hunters lead in their
pack”. I think the reason cubist poems
work is because they are so abstract.
When they’re applied to a very direct visual, they sort of lose their
magic. What’s more, the painting becomes
less open to interpretation.
Williams clearly put thought into how he’d write his poem,
considering line breaks and run-ons, but once I noticed the painting, the poem
became too much of a description for me.
I enjoy “descriptive” poetry as long as it creates its own images. William’s poem was very straightforward and
almost seemed like an art analysis written by a kindergartener who hasn’t
learned how to form sentences yet.
The over-all picture is winter
icy mountains
in the background the return
icy mountains
in the background the return
from the hunt it is toward evening
from the left
sturdy hunters lead in
from the left
sturdy hunters lead in
their pack the inn-sign
hanging from a
broken hinge is a stag a crucifix
hanging from a
broken hinge is a stag a crucifix
between his antlers the cold
inn yard is
deserted but for a huge bonfire
inn yard is
deserted but for a huge bonfire
that flares wind-driven tended by
women who cluster
about it to the right beyond
women who cluster
about it to the right beyond
the hill is a pattern of skaters
Brueghel the painter
concerned with it all has chosen
Brueghel the painter
concerned with it all has chosen
a winter-struck bush for his
foreground to
complete the picture
foreground to
complete the picture
RESPONSE:
When I first began reading this poem, I didn’t realize it
was describing Brueghel’s painting. I
thought “The Hunter in the Snow” stood quite well on its own and was intrigued
by the lack of punctuation. It took a
couple read-throughs to fully understand the picture being painted. The poem’s strange flow reminded me of
someone trudging through harsh conditions and getting stuck in knee-deep
snow.
The narrator, speaking in uncomfortable, choppy phrases, has
presented an image of what he sees in the winter scene. The fact that the lines do flow and break in
unusual places makes it seem like the narrator’s vision is distorted, perhaps
affected by blizzards or cold haze.
When Williams mentioned Brueghel’s name, I realized “The
Hunter in the Snow” was written about the piece of artwork. Honestly, the poem didn’t seem as interesting
anymore. It simply describes exactly
what Brueghel has drawn, even the location of his subject matter: “icy
mountains in the background” and “from the left sturdy hunters lead in their
pack”. I think the reason cubist poems
work is because they are so abstract.
When they’re applied to a very direct visual, they sort of lose their
magic. What’s more, the painting becomes
less open to interpretation.
Williams clearly put thought into how he’d write his poem,
considering line breaks and run-ons, but once I noticed the painting, the poem
became too much of a description for me.
I enjoy “descriptive” poetry as long as it creates its own images. William’s poem was very straightforward and
almost seemed like an art analysis written by a kindergartener who hasn’t
learned how to form sentences yet.
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